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The
literature available on this movement
is insurmountable. It is a very daunting
task to undertake a rough review of
the movement and its basic theoretical
assumptions. There are scores of names
of leading feminist theorists that keep
popping up in front of any reader who
attempts to read through the literature
available. To show the magnitude of
the task, here is a sweeping list of
few names that have contributed to the
movement in various ways: Dale Spender,
Dorothy Richardson, Elaine Showalter,
Gayatri Chakravorty Spivak, Helen Cixous,
Ivy Compton-Burnett, Jane Gallop, Jane
Marcus, Josette Feral, Judith Fetterley,
Julia Kristeva, Juliet Mitchell, Kate
Millett, Luce Irigaray, Marcia Holly,
Marry Ellmann, Mary Jacobus, Michel
Barrett, Monique Wittig, Nathalie Sarrault,
Robin Lakoff, Sandra M. Gilbert, Shulamith
Firestone, Simone de Beauvoir, Susan
Gubar, Susan Robin Suleiman, Toril Moi,
Virginia Wolf, Xaviere Gauthier.
Though
belonging to the same movement, these
intellectuals’ opinions and discourses
are not by necessity compatible with
each other’s. On the contrary,
most of them held opposing positions
to each other. As a hint about the diversity
of the feminist movement, each of the
women mentioned above entrenched herself
behind an already existing theoretical
position or more such as Bourgeois,
Marxist, Freudian, Lacanian, Deconstructive,
Structuralist, etc. It
does not matter here; who among the
feminists listed says what in opposition
to whom. A short introduction of this
caliber aims at reviewing the movement
as a whole focusing attention on its
basic tenets that will enable the student
to produce a relatively well-informed
criticism guided by these theoretical
assumptions.
As
a matter of fact, I am wary about using
the term theory to refer to the huge
body of literature on feminism. I have
been using the term movement instead,
because, on the one hand, there is no
single defined theory to talk about,
as I hinted before; and on the other
hand, some feminists contested that
the rubric “theory” is masculine
by nature, and should not be even associated
with feminism. Quite a radical point;
is not it?
A Brief Historical Overview
from Aristotle to the Present
All
through the so-called phallocentric,
patriarchal history women have been
made to believe that they are second
to man. Long before the advent of Christianity,
Aristotle asserts that women are imperfect
creatures. In Greek mythology, phallocentric
by default, evil, jealousy, irrational
anger (the Furies), irrationality, and
passion are all associated with the
female. Power, might, reason and wisdom
are associated with the male of the
species. Remember names like Zeus, Apollo,
Aries, Vulcan, etc. Even in the scope
literature, women are not deemed good
enough to be tragic heroines in the
Aristotelian sense.
The
advent of Judo-Christian religions complicates
things further for the female. Firstly,
she is not god’s first choice
in the story of the creation of the
human race. She is made of one of Adam’s
ribs as an accessory for him. Secondly,
she finds herself suddenly responsible
for man’s fall from heaven. Add
to all this Saint Thomas Aquinas’s
assertions that the woman is an imperfect
man with a very negative and passive
nature.
So,
all through this period, the culture
that emerged has brain washed men and
women into believing that women, in
essence, are inferior to men. History
tells us how women are always treated
as commodities. Firstly, they are considered
as mere wombs. This is to say, they
are mere devices used to maintain the
race. Secondly, in case of wars and
tribal invasions, women are the first
to capture. They are raped, killed,
or kept as slaves and concubines. This
is evident in world history and documented
in the fictitious and factual narratives
from Homer’s Odyssey through to
the recent Balkan wars in the ex-republic
of Yugoslavia.
Building
on all this dim history, generations
of feminists incite women against this
patriarchal order, or consciousness.
They draw distinct lines among the main
elements that go into the composition
of a feminist being and identity. At
the beginning, there is the FEMALE who
is a biological product of nature or
being. Next, appears the FEMININE, who
is a combination of culturally and socially
mediated person. And lastly, there is
the FEMINIST, who is heavily grounded
in ideology, determined at undermining
male supremacy.
To
clarify this idea further, the term
“female” refers to the biological
construct found in nature. Thus, the
female is a product of nature, the same
way the man is. This product of nature
is not left unmediated. The subsequent
cultures that emerged and have been
dominated by male-oriented societies
have defined roles for the natural product
to fit in. By adhering to these roles,
the female becomes both female and “feminine.”
Examples on such roles is that a woman
should be beautiful, gentle, soft, weak,
knows how to dance, sing, serve at home,
please the husband, serve her parents,
maintain a low profile in public, etc.
Feminists, on the other hand, are those
who fight hard to show that these cultural
roles and qualities are not intrinsic
to the actual natural product called
“female, by exposing the falsity
of the whole patriarchal history.
According
to some feminists, including Virginia
Wolf, who paved the ground for the coming
of the so-called French feminists, women
were not able to write the way men did
because they lacked the social, economic
amenity men have. Thus, like many feminist
writers, Wolf put the blame on the staggering
social conditions women find themselves
in.
The
Feminist Movement Categorically
speaking, one can roughly place the
movement in four basic categories.
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