R. P. Blackmur
 

A Critic's Jobs of Work

     As a New Critic R.P Blackmur thinks that, a text is autonomous whole. Any attempt to go outside the text to find meaning is what Blackmur denies. He wants to assign, a critics job in this essay on this very ground. He says that a work of art should be judged objectively independent of any attention of author and reader.

     A true critic objectively judges the text. He explore the internal properties of the text such as image symbol, irony, paradox, ambiguity, structure etc. and finds out the meaning . Blackmur distinguishes amature critic from professional. Amature critics are not expert. They work not for money but for their interest to pass criticism. Such critics are independent of any kind of influence. Contrarily, professional critics are expert they work for certain institutions and are confined by the propagation of their schools of the thought. Such critics attach themselves to the particular doctrine and murder their insight.

     Blackmur concentrates his ideas on the “self consciousness" with which critics examine what they do. Critic's job for Blackmur, is inevitable with development in the analysis of language, psychology and the resurgence of interest in the relation of poem to reader.

     He considered how to make aesthetic judgment in a work of art as Kant and many other theorists of his time. For them perfect reader is a good critic but for Blackmur literary work is distinct from poet, reader and world. He assumes the work is an object with a degree of autonomy and approach but never violate “the thing in itself from its own point of view" Thus for Blackmur, criticism is for the present time only, pragmatic and finally ironic. In all reading there must be the "physical distance" or a distinction between experience of the beautiful and of agreeable. Here, he is very implicit in the most celebrated idea, that text is self- sufficient whole and it doesn't have any relation with the other.

     Finally, it seems essential to assert Blackmur's view on art and criticism in terms of psychic force of critic. According to him, critic must reduce his/ her intense purpose. If critical purpose is narrowed down during the period of criticism, criticism tends to be amateurish. To reduce teleological purpose of criticism, critic should be intuitive. If critic walks on the path of intuition he/ she adventurously travels in the realm of preconscious. Once criticism starts from the realm of preconscious that mode of criticism becomes apt and appropriate because art is a looking glass of preconscious.

     Blackmur recognizes that there are limits to what the critic can accomplish in analysis: “After all, it is only the fact about a poem, a play, and a novel that can be reduced to tractable form, talked about, and examined. However, the limits on the rest can only be known but not talked about. He favors Brooks' attack on the "Heresy of Paraphrase".

Cleanth Brooks     As a New Critic R.P Blackmur thinks that, a text is autonomous whole. Any attempt to go outside the text to find meaning is what Blackmur denies. He wants to assign, a critics job in this essay on this very ground. He says that a work of art should be judged objectively independent of any attention of author and reader. Read More..

T.S. Eliot     The essay Tradition and Individual Talent is an attack on certain critical views in Romanticism particularly up on the idea that a poem is primarily an expression of the personality of the poet. Read More...

J.C. Ransom    Ransom main idea hare in the essay poetry: A Note on Ontology is to assert the ontological status of poetry. Ransom divides poetry in to two broad groups. One groups that talk about things. Another group that talks about idea. And the third group comes out of blending of these two qualities. Physical poetry, Platonic poetry and Metaphysical are the names for these groups respectively. Read More...

I.A. Richards     Richards shows an interest in the effect of poems on the reader. He tends to locate poem in reders response. The being of the poem seems to exist only in the readers. Poetry is a form of words that organizes our attitudes. Poetry is composed of pseudo statements, therefore it is effective. He talks about the close analysis of a text. Like a new critics, he values irony. He praises the irony and says that it is characteristics of poetry of higher order. In “The Forth Kinds of Meaning”, he talks about functions of language. Basically he points out four types of functions or meaning that the language has to perform. Read More...

Friedrich Von Schiller    Schiller is a German literary theorist and dramatist and a critic of modern civilization. In this essay, he deeply analyzed modern civilization, which emerged from the fountain of enlightenment. He examined culture of European enlightenment and found the tragic and miserable predicament of humanity. According to him, enlightenment emphasis on reason that leads to disastrous condition in which individual psyche becomes dichotomous, further more, he compares civilization of enlightened Europe with primitive Hellenic Greek civilization. Read More...

Whimsatt and Beardsley   Wimsatt and Breadsley have made best-known accusations of fallacy found in literary criticism based on writer’s intention and reader's response. International fallacy is a kind of mistake of deriving meaning of the text in terms of author’s intention, feeling, emotion, attitude, biography and situation. It is the error of interpreting a literary work by reference to evidence according to the intention of the author. Read More...

 
 
 
 
Critical Theories from Plato to Postmodern Critical Theories from Plato to Postmodern Critical Theories from Plato to Postmodern
Tradition and Individual Talent: T. S. Eliot Letter on the Aesthetic Education of Man An Apology for Poetry : Sir Philip Sydney
The Heresy of Paraphase : Cleanth Brooks Practical Criticism : I. A. Richards The Defence of Poetry : P. B. Shelley
Poetry : A Note in Ontology : J. C. Ransom The Experimental Novel : Emile Zola

On the Intellectual Beauty : Plotinus

A Critic's Job of Work : R . P. Blackmur Art of Poetry : Horace The Decay of Lying : Oscar Wilde
The Intentional and Affective Fallacy On the Sublime : Longinus Essay on Dramatic Poesy : John Dryden

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