Gilbert and Gubar
 

Anxiety of Authorship

    Gilbert and Gubar collaborately influenced the advancement of both the study of women writers and feminist literary theory. They trace a female literary tradition and thus combat what they term women’s ‘anxiety of authorship’, while seeking for a feminist poetics to rescue many women from the obscurity caused by their exclusion from male dominated anthologies. Their work The Madwomen in the Attic argues that in the past and up to the present, the women writer’s creativity has been identified virtually and completely with men. So, their aim is to locate a place where women’s writing can be heard.

    Anxiety of authorship is a feminist theory developed by Gilbert and Gubar that can be read as a revision of Harold Bloom’s theory of ‘anxiety of influence’. They define it as a radical fear undergone by female writers that they cannot create. They can not be precursors and that the act of writing inevitably isolates her from male forefathers and destroys her. This anxiety is further followed by other anxieties that the literary forefathers will subdue her voice and identity as a writer, escape the dilemma she faces in defining her subjectivity and potentials.Bloom claims that a young poet suffers from the anxiety of belatedness, thereby being unable to successfully rival his literary fathers. But Gilbert and Gubar revised Bloom’s male centered model to make into account the experience of literary daughters. They argue that women writers like Jane Austin, Emile Dickinson do not fit into Bloom’s theory, as there are no material precursors under the male literary tradition. So the literary daughters have the anxiety of authorship imposed by the pervasive view of writings as only male activity- the pen as a metaphorical phallus.

    Unlike to the literary sons who suffer from anxiety of influence, the literary daughters’ anxiety of authorship is positive, and creative, offering them less competition and more grateful connection to their formothers. However,the literary daughters’ deep sense of insecurity of writing can be found in their infected sentences of uneasiness and repression. But their creativity free from the anxiety of influence helps them to begin new and unique women writing tradition with freshness, novelty, radicality making distinct from male writing. They create their own poetics because of the anxiety of authorship.

Mary Wollstonecraft     As a feminist, Wollstonecraft strongly raises her voice against patriarchal domination over females. She firmly holds her belief that mind does not know sex and answers the attacks charged by male writers. Read More...

Virginia Woolf     Virginia Woolf a profound 20 th century feminist illustrates the history of women’s literary writing in patriarchal society where they had no room of their own. They were the regular victim of men’s anger, misunderstanding and hostility, exploitation. Therefore, in her essay ‘A Room of One’s Own’ she focused on feminist analysis of women’s literary tradition. Read More...

Elaine Showalter    Elaine Showalter’s feminist criticism is a clearly articulated feminist literary theory. Showalter has proposed a separate and independent model of feminist literary theory by rejecting the inevitability of male models and theories and by recalling the history of women’s writing to the present. Read More...

Simone de Beauvoir    “The Second Sex” by Buauvoir has destabilized the deep-rooted patriarchal construction of myths to human manifest in the works of literature and society. Read More...

Gilbert and Gubar    Gilbert and Gubar collaborately influenced the advancement of both the study of women writers and feminist literary theory. They trace a female literary tradition and thus combat what they term women’s ‘anxiety of authorship’, while seeking for a feminist poetics to rescue many women from the obscurity caused by their exclusion from male dominated anthologies. Read More...

Julia Kristeva     Julia Kristeva, a French theorist, in this essay talks about two stages, ‘semiotic’ and ‘symbolic’. She divides ‘semiotic’ and ‘symbolic’ from each other and says that all significations are composed out of these two elements. Read More...

P.B. Shelley      P. B. Shelley, a great Romantic poet and critic, defends poetry by claiming that the poet creates human values and imagines the forms that shape the social and cultural order. Read More...

Charles Baudelaire      Baudelaire is a French Romanticist and the precursor of symbolic movement in European literature. He considers imagination as the “queen of faculties”, truly creative power. The imagination must shape what nature makes....Read More...

John Keats      Last Poet of a Romantic period, John Keats' critical speculation is found in his letters, which he wrote to different persons in different walks of life. He believes in sensation rather than thought. Later he is also known as sensuous poet. He is sensuous poet because he makes use of that poetic image, which directly affects...Read More...

Samuel T. Coleridge     The essay is a tribute to Shakespeare who possesses all the qualities and conditions of a true poet. Coleridge tries to unveil some misconceptions popular about Shakespeare by formulating some romantic conceptions. He is a genius who well expressed himself in his dramas and poems. The ideas that he was immoral are totally groundless. Read More...

 
 
 
 
Critical Theories from Plato to Postmodern Critical Theories from Plato to Postmodern Critical Theories from Plato to Postmodern
A Vindication of the Rights of Women From one Identity to Another : Julia Kristeva An Apology for Poetry : Sir Philip Sydney
A Room of One’s Own : Virginia Woolf The New Science : Giambattista Vico The Defence of Poetry : P. B. Shelley
Toward a Feminist Poetics : Elaine Showalter
The Experimental Novel : Emile Zola

On the Intellectual Beauty : Plotinus

The Second Sex : Simon de Beauvoir Art of Poetry : Horace The Decay of Lying : Oscar Wilde
Anxiety of Authorship : Gilbert and Gubar On the Sublime : Longinus Essay on Dramatic Poesy : John Dryden

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