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Anxiety
of Authorship
Gilbert
and Gubar collaborately influenced the
advancement of both the study of women
writers and feminist literary theory.
They trace a female literary tradition
and thus combat what they term women’s
‘anxiety of authorship’,
while seeking for a feminist poetics
to rescue many women from the obscurity
caused by their exclusion from male
dominated anthologies. Their
work The Madwomen in the Attic argues
that in the past and up to the present,
the women writer’s creativity
has been identified virtually and completely
with men. So, their aim is to locate
a place where women’s writing
can be heard.
Anxiety
of authorship is a feminist theory developed
by Gilbert and Gubar that can be read
as a revision of Harold Bloom’s
theory of ‘anxiety of influence’.
They define it as a radical fear undergone
by female writers that they cannot create.
They
can not be precursors and that the act
of writing inevitably isolates her from
male forefathers and destroys her. This
anxiety is further followed by other
anxieties that the literary forefathers
will subdue her voice and identity as
a writer, escape the dilemma she faces
in defining her subjectivity and potentials.Bloom
claims that a young poet suffers from
the anxiety of belatedness, thereby
being unable to successfully rival his
literary fathers. But Gilbert and Gubar
revised Bloom’s male centered
model to make into account the experience
of literary daughters. They
argue that women writers like Jane Austin,
Emile Dickinson do not fit into Bloom’s
theory, as there are no material precursors
under the male literary tradition. So
the literary daughters have the anxiety
of authorship imposed by the pervasive
view of writings as only male activity-
the pen as a metaphorical phallus.
Unlike
to the literary sons who suffer from
anxiety of influence, the literary daughters’
anxiety of authorship is positive, and
creative, offering them less competition
and more grateful connection to their
formothers. However,the
literary daughters’ deep sense
of insecurity of writing can be found
in their infected sentences of uneasiness
and repression. But their creativity
free from the anxiety of influence helps
them to begin new and unique women writing
tradition with freshness, novelty, radicality
making distinct from male writing. They
create their own poetics because of
the anxiety of authorship.
Mary
Wollstonecraft As
a feminist, Wollstonecraft strongly
raises her voice against patriarchal
domination over females. She firmly
holds her belief that mind does not
know sex and answers the attacks charged
by male writers.
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Virginia
Woolf Virginia
Woolf a profound 20 th century feminist
illustrates the history of women’s
literary writing in patriarchal society
where they had no room of their own.
They were the regular victim of men’s
anger, misunderstanding and hostility,
exploitation. Therefore, in her essay
‘A Room of One’s Own’
she focused on feminist analysis of
women’s literary tradition.
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Elaine
Showalter Elaine
Showalter’s feminist criticism
is a clearly articulated feminist literary
theory. Showalter has proposed a separate
and independent model of feminist literary
theory by rejecting the inevitability
of male models and theories and by recalling
the history of women’s writing
to the present.
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Simone
de Beauvoir “The
Second Sex” by Buauvoir has destabilized
the deep-rooted patriarchal construction
of myths to human manifest in the works
of literature and society.
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Gilbert
and Gubar Gilbert
and Gubar collaborately influenced the
advancement of both the study of women
writers and feminist literary theory.
They trace a female literary tradition
and thus combat what they term women’s
‘anxiety of authorship’,
while seeking for a feminist poetics
to rescue many women from the obscurity
caused by their exclusion from male
dominated anthologies. Read
More...
Julia
Kristeva Julia
Kristeva, a French theorist, in this
essay talks about two stages, ‘semiotic’
and ‘symbolic’. She divides
‘semiotic’ and ‘symbolic’
from each other and says that all significations
are composed out of these two elements.
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P.B.
Shelley
P. B. Shelley, a great Romantic poet
and critic, defends poetry by claiming
that the poet creates human values and
imagines the forms that shape the social
and cultural order.
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Charles
Baudelaire
Baudelaire is a French Romanticist and
the precursor of symbolic movement in
European literature. He considers imagination
as the “queen of faculties”,
truly creative power. The imagination
must shape what nature makes....Read
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John
Keats
Last Poet of a Romantic period, John
Keats' critical speculation is found
in his letters, which he wrote to different
persons in different walks of life.
He believes in sensation rather than
thought. Later he is also known as sensuous
poet. He is sensuous poet because he
makes use of that poetic image, which
directly affects...Read
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Samuel
T. Coleridge
The essay is a tribute to Shakespeare
who possesses all the qualities and
conditions of a true poet. Coleridge
tries to unveil some misconceptions
popular about Shakespeare by formulating
some romantic conceptions. He is a genius
who well expressed himself in his dramas
and poems. The ideas that he was immoral
are totally groundless.
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