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The
difference between Karl Max and Hegel
is that Marx is materialist and Hegel
is idealist. Marx was influenced by
German ideology but reject the basic
notion of Idealism. For Marx it is the
material reality that determines the
human consciousness but Hegel as a leading
figure of German Ideology argues that
it is human consciousness that determines
the matter.
Marx
as a believer of social economist reality
argues that human beings are born in
certain social reality that ultimately
shapes their mental faculty. Thus for
Marx all the ideas and discourse are
the out come of social reality and economic
reality.
For
Marx society is a conflicting ground
where the exploiter appears in different
names and tries to dominate or exploit
the working class people. As an art
critic, Marx argues that, the literature
is the social product and has to reflect
the social reality. So there is a deep
and inseparable attachment between the
literary art and society. The work of
art is not like a hermit but the expression
of social condition.
The
German Ideology
Marx
forwards the key idea that “production
of ideas or consciousnesses is directly
related to material reality.”
Man is the producer of ideas who himself
is determined by the material reality.
The idea, consciousness can never be
other than the consciousness of existence,
and the existence of his actual life
process.” This actual life process
is of the material base which determines
the consciousness. Marx takes the German
Ideology an opposite stand to whole
German ideology that was developed by
Kant, Schopenhauer, Hegel and so on.
Western metaphysics, especially German
idealism always undermined matter and
only focused on human consciousness.
On contrary Marx believes that human
consciousness is shaped our of socio
economic context.
Marx
criticizes German ideology because it
created the camera obscure of the reality.
German Ideology/ philosophy descends
from the heaven to earth. But Marx says
we set out from actual life process.
George
Lukacs Lukacs
believes that art should reflect the
social reality that is objective totality
of society. Lukacs reflects the model
of art is not only reflection of mere
appearance of the society, but the objective
totality of the reality. Thus the notion
of reflection is not slavish copy or
just mere imitation. The term objective
totality for Lukacs in art is the reflection
of contradiction or dialectical tension
between or among social objects, social
classes, individual relationship to
the society and others. For him, the
art should have its political function
and such function is possible only by
depicting the social reality objectively.
In doing so, the art does reflect the
totality of social reality by becoming
the art not as the reality itself but
as the best form for such a reflection
of reality. Read
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Theodor
Adorno In
the essay ‘Cultural Criticism
and Society’ Theodor Adorno shares
Lukacs emphasis on dialectical thinking.
Though Lukacs had influenced Arono,
the latter differs from the former with
respect to whether the opposites of
dialects should be reconciled or not.
Adorno is of the opinion that the
job of cultural critic is to show the
dialectic contradictions but not to
reconcile them. He claims that society
is full of contradiction which art should
depict without any favor or disfavor.
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Marxism:
History and Economy
Marxism
regards history as a series of conflicts
between the dominated majority and the
dominating minority to gain power over
the means and excess of production.
After people have exited from their
first state of nature, where they have
been equal by default; they have found
themselves cast into two main categories.
The category of those who spend all
their lives laboring in the fields and
other places of production; and the
category of those who usurp the labor
of the working class to increase their
capital. If we examine history carefully,
we see how the economies of ancient
and modern societies are based on slavery
and exploitation.All
through human history, the masters made
their wealth on the expense of the labor
of their subjects. The subject works
hard in the field or in the factory.
The subject, whether aided by machinery
or not, generates commodities through
his labor. These commodities are valued
according to their market price and
not according to any intrinsic value
in them. Their value is automatically
turned into money in the hands of the
master. Read
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Marxism
and Literature
Literature
is one of the major constituents of consciousness,
and should be studied within the framework
of history. As much as literature can
be used as an oppressive tool to maintain
and enforce the master-capitalist hegemony,
it can also be used to undermine this
hegemony. For Marxism, literature can
be viewed in two main ways, regardless
of the difference in opinion and practice
among various Marxist thinkers and critics
such as Lucaks, Brecht, Adorno, Raymond,
Jameson and others.As reactionary narrative
that aims at marketing, devoting and enforcing
the ruling classes’ ideology; yet
not without contradictions, that can undermine
its basic thematic assumption(s). As a
progressive narrative that champions the
oppressed in their long and bitter struggle
against the decadent bourgeois order.
Some traditional Marxist critics including
Lukacs stressed the importance of realism
in writing and denigrated other modes
of narrative like naturalism, post/modernism
as less, if at all, representative of
class struggle. In defense of their theoretical
position, they claim that modernist writers,
like Eliot, Joyce..Read
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