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Semiology
and Rhetoric
As
a deconstructionist, Paul de Man's version
of deconstruction is based on two related
principles:
1. The incompatibility of language
and nature
2. The incompatiblity of garammatical
and rhetorical structure
The
fist incompatibility comes out of the
doubt we have about language. Nature
is expressible in language; language
has no correspondence to nature. Secondarily,
it is the incompatibility of grammatical
and rhetorical structures that creates
unresolvable contradiction in any text.
If we value one, we ignore other. To
happen simultaneously is not possible.
If one gives primacy on rhetoric, the
result will be indeterminacy of meaning.
On the other hand, if one gives the
primacy to grammatical structure, the
discovery will be a false pretense to
identity. According to him, a literary
text simultaneously asserts and denies
the authority of its own rhetorical
mode.
In his view,
it is the rhetorical or figural components
of language that makes language unreliable
medium for stating truths. Here, de
Man denies this possibility of a directly
literal or referential use of language.
With these figures of speech, writers
say one thing but mean something different.
One sign can be substituted for another.
Therefore, every reading is always misreading.
Paul de Man stands against Russian formalism
that divides the language in to literary
and non literary. Then he talks about
rhetoric and semiology. Rhetoric is
the study of metaphor and metonymy whereas
semiology is the study of whole linguistic
system. Because of these rhetoric or
figurative quality, every text has at
least two possible meanings that create
contradiction and confusion. So, text
creates indeterminacy, that is called
' aporia' stage.
De
Man views that ' every reading is misreading’,
which can be proved by two ways. First,
language is so tricky that goes out
of author's control. Language contradicts
with author's intention. We are, in
this sense, in prison house of language.
Authors want to reveal something but
text does something other. It is due
to the rhetoric use of words, which
have no fixed meanings. Secondly, in
a text, both grammar and rhetoric are
present. There is always possibility
of grammaticality up on the rhetoric
and rhetoricizing the grammar and we
have to choose only one at a time. Since
there is no possibility of synthesizing
them, there is no way out of misreading
because we have to suppress either rhetoric
or grammar. So, there is possibility
of multiplicity of meaning. In this
sense, he is deconstructionist (in Derrida’s
term).
For
instance, “How can we know
the dancer from the dace?"
Rhetorically, it is statement. Here,
we can't know the dancer from dance.
Grammatically, it is question which
means: what is the process of knowing
the dancer from the dance? So, it has
double meanings. But we have to take
it either as a statement, or as a question
but not both at the same time so it
creates misreading. If we give importance
to grammar, it turns out to be a false
pretense. Likewise, if we give primacy
to rhetoric only, we don't care for
the rules and, therefore, we create
a heap of meanings. And the result becomes
indeterminacy of meaning, which makes
confusion because of multi- meanings.
De Man opines that semiologians believe
in singular meaning whereas rhetoricians
believe in open mindedness of meaning.
Giving an example of Archie Bunker,
he tries to prove the rhetorical nature
of language.
To
sum up, text has both- grammar and rhetoric.
When we read it grammatically, it gives
one meaning and if we read rhetorically
it results another meaning. Again, rhetoric
has double meanings- one surface and
another deep. So, every text has multiple
meanings.
Jacques
Derrida Derrida
attacks all western metaphysics for
the logo centrism and hierarchy like
in speech/ writing, nature/ culture
etc. Logo centrism is the tendency for
seeking centre and presence. Derrida
says that centre-seeking tendency began
to be questioned from Nietzsche who
declared the 'Death of God' and replaced
god with superman. Another figure to
challenge the logocentrism is Freud,
who questions the authority of consciousness
and claims that we are guided by unconscious.
Heidegger also challanges the notion
of metaphysics of presence.
Derrida, therefore, primarily attacks
structuralism. He views that the concept
of centre does work but it is not essential;
hence center is under eraser. Center
is needed to form a structure but immediately
it escapes from the so- called centrality.Derrida,
in fact, is not suggesting on the abandonment
of the idea of center, but rather he
acknowledges that it is illusory and
constructed.
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Roland
Barthes In
the essay," The Death of
the Author", Barthes proceeds
a sort of post structuralist or deconstructive
view of the author. He takes different
stand through which he announces the
metaphoric death of the author. It also
declares the death of structuralism.
Here, Barthes questions the historical
issue regarding the place of author
in the text. He argues that when the
author writes the text, his voice is
no more dominant in it. How reader interprets
the text is more important. Author is
nothing other than translator and imitator
and nothing is original for him. He
simply imitates the materials that were
already used.Writing is the destruction
of own voice or erasing of the ' self'.
As the writing begins, the author starts
entering in to his own death. It is
not the author who speaks in the text
but it is the language that does so.Linguistically,
author is nothing; hence it is language
that functions. As soon as the writer
starts writing, he is dead because when
he writes he has no control over the
text but it depends on the interpretation
of readers. Read
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