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The
Intentional and Affective Fallacy
Wimsatt and Breadsley have made best-known
accusations of fallacy found in literary
criticism based on writer’s intention
and reader's response. International
fallacy is a kind of mistake of deriving
meaning of the text in terms of author’s
intention, feeling, emotion, attitude,
biography and situation. It is the error
of interpreting a literary work by reference
to evidence according to the intention
of the author.
International fallacy means the confusion
between the poem and its origin. It
is the fallacy because an author is
not the part of the text; instead, text
is public but not private. If a critic
interprets text in terms of author’s
biography, this interpretation is called
subjective interpretation or criticism.
But for Wimsatt and Beardsley criticism
should be objective and textual, critic
should not go beyond the text.
Author can't
control the text as soon as he writes.
It becomes public. The critic should
not interpret the allusion in terms
of author’s intention. They claim
that author's intended meaning is irrelevant
to the literary critic. The meaning,
structure, value of text is inherent
with in the work of art itself; it is
an object with certain autonomy.
Affective fallacy means the confusion
between the poem and its result. It
is a way of deriving meaning of the
text interims of affect of product up
on the reader.
Affective fallacy is the error of evaluating
a text by its effect. As a result of
this fallacy, criticism ends in impressionism
and relativism and objective criticism
becomes almost impossible. Theories
of catharsis, therapy, didacticism etc,
fall under the affective fallacy because
they judge the poem in terms of its
effect on the reader.
Wimsatt and
Breadsley view that text constitutes
language. The meaning of test is public,
not personal. The effect of the text
varies from person to person and from
reading to reading. Thus if the critic
depends on the meaning produced by a
single reader it will be a kind of mistake.
As a text is an autonomous entity, the
best way of deriving meaning is to analyze
linguistics elements such as syntax,
semantics etc, since the work of art
has its own anthological status, and
it should not be judged through the
parameter outside the text.
Wimsatt and Brendsley criticize the
tradition of expressive criticism as
intentional fallacy and pragmatic criticism
as affective fallacy. They believe that
a work of literature or text has ontology
of its own. It is not only an autonomous
object but also complete in itself.
So it has no need to take support of
writer's intention and reader's affective
response to assert its being. It can
have its meaning with in itself, by
its own structure. So its own being
should be the subject of critical study.
R.P.
Blackmur John
Locke is one of the influential English
philosophers and is best known for his
epistemological and political views.He
observes knowledge to have begun with
simple sense perceptions and combining
these in to complex abstract ideas.
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Cleanth
Brooks As
a New Critic R.P Blackmur thinks that,
a text is autonomous whole. Any attempt
to go outside the text to find meaning
is what Blackmur denies. He wants to
assign, a critics job in this essay
on this very ground. He says that a
work of art should be judged objectively
independent of any attention of author
and reader. Read
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T.S.
Eliot The
essay Tradition and Individual Talent
is an attack on certain critical views
in Romanticism particularly up on the
idea that a poem is primarily an expression
of the personality of the poet. Eliot
argues that a great poem always asserts
and that the poet must develop a sense
of the pastness of the past. There is
great importance of tradition in the
present poem. Read
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J.C.
Ransom Ransom
main idea hare in the essay poetry:
A Note on Ontology is to assert the
ontological status of poetry. Ransom
divides poetry in to two broad groups.
One groups that talk about things. Another
group that talks about idea. And the
third group comes out of blending of
these two qualities. Physical poetry,
Platonic poetry and Metaphysical are
the names for these groups respectively.
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I.A.
Richards Richards
shows an interest in the effect of poems
on the reader. He tends to locate poem
in reders response. The being of the
poem seems to exist only in the readers.
Poetry is a form of words that organizes
our attitudes. Poetry is composed of
pseudo statements, therefore it is effective.
He talks about the close analysis of
a text. Like a new critics, he values
irony. He praises the irony and says
that it is characteristics of poetry
of higher order. In “The Forth
Kinds of Meaning”, he talks about
functions of language. Basically he
points out four types of functions or
meaning that the language has to perform.
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Friedrich
Von Schiller Schiller
is a German literary theorist and dramatist
and a critic of modern civilization.
In this essay, he deeply analyzed modern
civilization, which emerged from the
fountain of enlightenment. He examined
culture of European enlightenment and
found the tragic and miserable predicament
of humanity. According to him, enlightenment
emphasis on reason that leads to disastrous
condition in which individual psyche
becomes dichotomous, further more, he
compares civilization of enlightened
Europe with primitive Hellenic Greek
civilization.
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