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Irony:
Irony is an indirect way of criticizing
things, and it can be done in several
ways. The word ‘Irony’ comes from its
Greek root ‘Eiron’, a dramatic character
who spoke in ‘understatement’, pretending
to be less intelligent, and meaning
usually the opposite of what he said.
This root sense is still present in
modern criticism in which irony means
a gap between some kind of appearance
and reality. The gap between speech
and its actual meaning, purpose and
result, expectation and fate, are all
ironies. In poetry, irony is mainly
verbal irony of saying something and
meaning something quite different. Irony
is the opposite of metaphor in many
ways.
If metaphor is a matter of comparison,
parallels, harmony, and creative and
rich use of language, irony is a matter
of contrast, disharmony and critical
and satiric use of language. Irony exists
to expose some kind of lack, absurdity
or incongruity of human nature, ideas,
or language itself. If metaphor draws
comparison between apparently different
things, irony exposes gaps and differences
between apparently similar things.
The simplest
form of irony is the negation of similarity
where similarity is expected, as in
Shakespeare's poem "My Mistress's eyes
are nothing like the sun." Instead
of saying “My mistress is very, very
beautiful”, the poet says that she is
not. This seeming disparagement (opposite
of ‘praise') later on turns out to be
directed at other poets and not at his
own beloved. Understatement of this
kind and (sometimes) overstatement are
the two basic tricks of creating irony.
For
example, a simple list like, "Puffs,
Powders, Patches, Bibles, Billet-doux"
describing a make-up table can bitterly
satirize the confusion of values of
different things in life (Pope: The
Rape of the Lock). Sometimes,
putting very different things together,
as in "Whether the ‘girl’ will break
Diana's law (of virginity)/ Or some
frail (weak) China jar will receive
a flaw (injury)" is too bitter an irony.
By putting together (with the same word
"break") and pretending not to understand
the relative value of virginity and
a jar the poet implies that the young
girls of that time would take equally
seriously whether they break virginity
or a clay jar! At other times,
the poet may speak in too big words
to be ironical, as in: "From silver
spouts the grateful liquors (coffee)
glide/ While China's earth (cups) receive
the smoking tide". Here the British
queen and her companions are pouring
coffee into cups, and not lifting the
ocean tides and pouring over China,
as the poet exaggeratingly suggests.
In order to interpret irony successfully,
the reader must be able to pick up clues
of some incongruity from the tone, word-choice,
metaphor or speech and situation. Sometimes,
even metaphors have an ironic dimension.
A tactful reader should be able to go
beyond paraphrase to the poet's intention
by properly analyzing the word-game
to understand the ironic meanings.
Allegory:
Allegory is a parallel story. If a single
word or expression has an abstract and
general meaning, it is called a symbol;
but if the whole ‘story’ of a drama,
story or poem has a symbolic meaning
throughout, it is called an allegory.
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Alliteration:
Alliteration is the repetition of consonant
sounds. The repeated consonants normally
occur at the beginning of words or in
stressed syllables.
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Allusion:
An allusion in a literary text is a
reference to a personal place or event
or to another literary work or passage.
It does not have clear identification,
that is, it does not tell directly what
it stands for.
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Animation:
Animation is giving life to non-living
objects. If a poet treats a lifeless
concrete thing as having life, awareness,
will-power, thought, emotion, etc, that
is called animation. For example, if
a poet says, "The moon is ‘smiling’
at me", he animates the moon.
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Ballad:originally
a kind of folk song; also sung with
music; now recorded in writing, and
also regarded as literature/ poetry.
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Blank
verse:
Blank verse refers to the poetic lines
that use iambic pentameter without rhyming.
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Classical
Poetry:The
classical or neo-classical poets of
the eighteenth century had had made
poetry more social than personal, more
intellectual than emotional and imaginative,
more rule-based than spontaneous.
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Conceit:
The conceit is a striking metaphor.
It is so original and unconventional
that it not only strikes the reader
into attention, but sometimes shocks
them, being even objectionable or absurd
at first. Read
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Elegy:
The elegy was originally the form of
poetry on the subject of sadness, especially
‘complaints about love’.
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Epic:
One the oldest of the poetic forms,
the epic is a long narrative poem, majestic
both in theme and style, dealing with
legendary or historical events of national
or universal significance, involving
action of broad sweep and grandeur.
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Iambic
pentameter:
Iambic pentameter means ‘five iambic
feet in a line’. ‘Iambic’ means a unit
of rhythm with two syllables where the
first is not stressed (U) and the second
is stressed (S).
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Ode:Most
simply, the Ode is known as a poem addressed
to somebody or something. But, besides
that one simple feature, the ode is
characterized by a number of features
of a special classical form of poetry,
or poetic expression. Read
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