Edward
Albee: Albee is supposed to
be one of the greatest absurdist playwrights
after the Second World War in American
literature. By the early 1960s, Albee
was widely considered to the successor
of Williams and Miller. Albee was the
first and perhaps the only one of his
theatrical generation to move from YAM
(Young American Playwright) to FAM (Famous
American Playwright). Albee came up
with the series of successful works
like The Zoo Story;
a play written in Absurdist style; The
American Dream; a play
that attacks on the false values which
have destroyed the real values in American
society ; Who’s Afraid
of Virginia Woolf?, The
most famous book having the theme of
emptiness, and so on.
Most of Albee’s dramas lack specific
setting. Audiences never know the situation
and the place where things are happening
in play. This is the important feature
of absurdist drama. Most of the characters
presented by Albee in his works are
restless and uncomfortable in their
own self. The characters in Albee’s
plays seem to suffer from loneliness
because they cannot or will not make
any connection with each other. Through
such an image of the characters, it
can be assumed that Albee’s view
about human condition is that it is
always overpowered by separateness and
loneliness, which according to him may
be the result of a collapse of values
on the western world in general and
in the United States in particular.
Love is also presented in his plays
but not in the way of romantic situation
but in the way of lost, decay, fall
and failure. Albee’s plays are
full of violence both physical violence
like in The Zoo Story
or verbal like in Who’s
Afraid of Virginia Woolf ? Who’s
Afraid of Virginia Woolf? is taken as
a metaphor to the 1960s American society.
The character in the drama like George
and Martha are husband and wife; whose
life is very much frustrated. They only
argue all the time. The violence could
not let them to continue their partnership.
They seem to be tired of arguing. This
shows the common whole American life
style.
Beat
Poets :In the later half of
the 1950s a group of poets like
Allen Ginsberg, Gary Snyder, Jack Kerovac,
Gregory Corso etc formed a
group of young rebels called Beat poet
and thus, young rebels developed the
Beat Generation. The Beat Generation
is a group of writers centered in San
Francisco and New York City in the later
half of the 1950s. The poet of this
generation called themselves beat because
they felt themselves to be very much
beaten. Read
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The
Black Art Movement :This
is a new movement which came to be institutionalized
in the sixties and seventies. It was
a radical separatist ethnicism proposing
to disengage itself not only from the
larger world of American literature
but also from the western (white) tradition.
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Black
Drama:
After the end of Second World War the
Negro writer did not paid so much attention
to fiction as much they motivated to
poetry and Drama. Drama became the easiest
form to reflect the pain and suffering.
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Broadway
Theaters: Broadway theaters
are highly commercialized and established
theatres, especially situated on Manhattam.
There theatres are especially situated
in Manhattam. There theatres are musical
as well as they were powerful sources
of entertainment on 1920s and 1930s.
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Off
Broadway: Off Broadway came
on 1940s as a reaction against costly
and commercialized Broadway theatres.
This theater has stage on center and
audience could watch the performance
from all corners. During the 1940s,
there was the heyday of this theatre;
it was highly popular during that time.
But till 1960s there remained no fundamental
differences between Broadway and off
Broadway, it became more commercialized
as Broadway. Read
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Confessional
Poetry: The second generation
poets born from 1920 to 1935 were under
the influence of New critical mode,
but they were less burdened by the legacies
of the great modernists. So some poets
of this generation stuck to the New
critical mode, but some poets developed
a new style in poetry called confessional
mode. Read
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Harlem
Renaissance:
Harlem Renaissance is a cultural moment
of Afro- American people during 1920s.
It was concentrated on New York City’s
Harlem so it is called Harlem. It is
also called as New Negro Renaissance,
New Negro movement. It affected different
fields like art, literature, politics
etc. Read
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Arthur
Miller: Miller belongs to the
second half of the twentieth century.
Miller was leftist and being leftist
he starts his dramatic career with the
propaganda plays. In his propaganda
plays he explicitly overthrows capitalism
and advocates for the establishment
of socialism. Miller is influenced by
Marxism. His propaganda plays are not
published until the publication of
Death of a Salesman in
1949. Read
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Eugene
O’ Neill: Eugene O’
Neill, an American dramatist, who is
internationally reputed in the field
of drama, also got the noble prize in
1936. He was influenced by Henric
Ibsen, August Strindberg and
Maurice Maeterlinck.
He is remembered for realist, naturalist
and expressionist drama. Moreover the
credit goes to Eugene O’Neill
for his realist and naturalistic play.
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John
O'Hara: During
the post war period, there were too
many sexually free novels which became
highly successful. Among such writers,
the great master in the post war period
was John O’Hara. He stands between
the novelists of urban environment and
the novelist of manners.He sets most
of his novels and short stories in a
medium-sized Pennsylvania town he named
Gibbsville. Read
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