Robert Penn Warren: After Faulkner it was another southern novelist Robert Penn Warren whose aim is to discover the connection between the self and American history. Warren not only hunts for the American self but he also observes the relationship of man with society and finds it be very meaningless. This attitude of Warren makes him a modernist writer.Like all the modernist in his work Warren also tries to resolve the dialects between Good and Bad, Virtue and Vice, Morality and Immorality existing in the society by acknowledging the supremacy of positive and negative go parallel on horizontal he realizes that the relationship is not possible. Therefore the political deadlock is one of the subject matter of his works.

    Warren believes that history is blind because in society such thing happen which society does not agree with but man is not blind (because he is aware that he should control his self). So man should be concerned at the blindness of history that is the idea of R.P Warren. History is in self or self is in history is Warren’s major exploration. That is why he searches for historical self, and thus, comes to a realization that as history is moving in a fast pace, the ethical self is not possible because there is emptiness rather than belongingness. Thus in Warren’s work we find ambiguity or say the struggle to keep the self open to history and history open to the self . Warren’s famous works are: Night Rider, All Heaven’s Gate, All the King’s Men, Band of Angels, A place to come to.

Beat Poets :In the later half of the 1950s a group of poets like Allen Ginsberg, Gary Snyder, Jack Kerovac, Gregory Corso etc formed a group of young rebels called Beat poet and thus, young rebels developed the Beat Generation. The Beat Generation is a group of writers centered in San Francisco and New York City in the later half of the 1950s. The poet of this generation called themselves beat because they felt themselves to be very much beaten. Read More...

The Black Art Movement :This is a new movement which came to be institutionalized in the sixties and seventies. It was a radical separatist ethnicism proposing to disengage itself not only from the larger world of American literature but also from the western (white) tradition. Read More...

Black Drama: After the end of Second World War the Negro writer did not paid so much attention to fiction as much they motivated to poetry and Drama. Drama became the easiest form to reflect the pain and suffering. Read More...

Broadway Theaters: Broadway theaters are highly commercialized and established theatres, especially situated on Manhattam. There theatres are especially situated in Manhattam. There theatres are musical as well as they were powerful sources of entertainment on 1920s and 1930s. Read More...

Off Broadway: Off Broadway came on 1940s as a reaction against costly and commercialized Broadway theatres. This theater has stage on center and audience could watch the performance from all corners. During the 1940s, there was the heyday of this theatre; it was highly popular during that time. But till 1960s there remained no fundamental differences between Broadway and off Broadway, it became more commercialized as Broadway. Read More...

Confessional Poetry: The second generation poets born from 1920 to 1935 were under the influence of New critical mode, but they were less burdened by the legacies of the great modernists. So some poets of this generation stuck to the New critical mode, but some poets developed a new style in poetry called confessional mode. Read More...

Harlem Renaissance: Harlem Renaissance is a cultural moment of Afro- American people during 1920s. It was concentrated on New York City’s Harlem so it is called Harlem. It is also called as New Negro Renaissance, New Negro movement. It affected different fields like art, literature, politics etc. Read More...

Arthur Miller: Miller belongs to the second half of the twentieth century. Miller was leftist and being leftist he starts his dramatic career with the propaganda plays. In his propaganda plays he explicitly overthrows capitalism and advocates for the establishment of socialism. Miller is influenced by Marxism. His propaganda plays are not published until the publication of Death of a Salesman in 1949. In his later plays after propaganda plays he implicitly advocate Marxism. Miller’s first time play is known to be All my Sons (1947). Read More...

Eugene O’ Neill: Eugene O’ Neill, an American dramatist, who is internationally reputed in the field of drama, also got the noble prize in 1936. He was influenced by Henric Ibsen, August Strindberg and Maurice Maeterlinck. He is remembered for realist, naturalist and expressionist drama. Moreover the credit goes to Eugene O’Neill for his realist and naturalistic play. Before O’Neill in American theater, there were melodrama which were sentimental and having the sense of excitement. Read More...

Tennesse Williams:  If Eugene O’ Neill, Susan Gospel, Thornton Wilder Clifford Odets dominated the first half of the twentieth century. Arthur Miller, Edward Albee, Lawrance Hensbery, Sam Shepard, David Moment dominated the second half of the twentieth century, but Tennessee Williams is very much important between this two ages . Tennesse Williams was brought up in the South, we can clearly see element of the southern literary tradition in his work. The elements like complicated feelings about time and the past. The past is usually looked up on with sadness, guilt or fear. He describes his society as a kind of hell of brutality and race hatred. Read More...