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Theses
and Dissertation
1.
Proposed Title of the Thesis:
The title should be a short phrase that
indicates your issue and standpoint.
Make sure that you can define the key
terms and justify the claim implied
in the title. After you find an area
of interest and narrow it down to a
subject, you should again narrow down
the subject to a topic. The title must
be focused and specific, and researchable:
it should answer some of the following
questions:
a. Are there sufficient published sources
of information on this topic?
b. Does this topic require research
in a variety of sources, especially
standard published material? If it needs
only experience and personal opinion,
it is not researchable.
c. Will the objective evaluation of
sources and your analysis of the issue/
text lead to defensible conclusion?
d. Is the topic suitable for the available
time and material, and the required
length (say 50-100 pages)?
2. Introduction: Introduce
the text or issue that you intend to
research by saying what it is basically
about; but do it in such a way that
the very first sentence indicates your
way of looking at it: introduce
it from the viewpoint of your hypothesis.
Because you normally take up a text
on which there is some literature, the
best idea is to begin by contextualizing
the ‘issue’ you want to research: introduce
your issue in the background of existing
(available) body of knowledge on it.
Remember that you rarely ever make an
entirely original ‘research’ for MA
thesis. Even if the text/ issue is relatively
a new one, draw the reader’s attention
towards the problem and perspective
you will focus on and adopt in the light
of the common parlance that most readers
would take. In any case, in the very
first paragraph of your proposal, introduce
the problem and try to indicate your
standpoint as you introduce the text.
For instance, you have felt or found
that Conrad’s Heart of Darkness
is not just a colonial story but an
archetypal and allegorical journey into
Everyman’s unconscious, a quest for
conquering and understanding others
which turns out to be an ironic quest
in which the main character encounters
and understands his own animal self.
You see that the so-called problem of
‘colonial quest’ is more significantly,
if more broadly, human being’s ever-repeating
or archetypal quest for learning and
conquering the world and other people,
which ironically turns out to be a shocking
revelation, especially to the civilized
man in this case.
Now, you may begin by claiming that
though Conrad’s Heart of Darkness
is almost always considered as
a story of the colonial mission and
just that, quite another problem (your
problem) is by far a more important
one for a proper understanding of the
text (or a particular issue in it).
Then, you may also claim early on that
the commonly discussed problem of ‘quest’
should be analyzed and understood from
a psycho-philosophical perspective.
Indicate what you aim to explore.
Joseph Conrad’s novella Heart of
Darkness tells the story of a white
man named Kurtz who turns out to be
a savage after living in the hinterlands
of Congo. Most critics have emphasized
how Marlowe, another white man, learns
a lesson about how the ‘civilized’ colonizer
is vulnerable to same human weakness
of being inhuman when they are in the
‘savage’ situation. But, the quest and
the illumination of Marlowe, as the
narrator of the story tries to convey
to us, should be seen as a quest into
man’s inner self. In order to understand
the central problem of the vaguely defined
‘quest’ more properly, it is necessary
to look at it from a psycho-philosophical
perspective and understand it as an
archetypal-allegorical quest of the
human race, which they begin with some
ideal purpose and end with an ironic
revelation about their own innate and
invincible inhumanity, their animal
instinct.
3. Statement of Problem:
After you have introduced the problem
and your perspective, raise the issue
more critically and also clarify your
perspective. The Statement of Problem
is a critical introduction and problematization
of the issue that you have found and
which you want to research. After you
tell the reader what the text is about,
you should not only say what the writer/
text says but also state clearly what
you think it must be understood as.
This means that by problematizing
an issue in the text, you should go
on to say from what perspective
you will to look at the problem, and
what you intend to justify.
In the Statement of Problem, you may
do the following things:
- After
having introduced the text, the problem
and your perspective in the first
section, now you may discuss the ‘problem’
more critically.
Marlowe’s
journey into Congo is on its surface
one that is made by a ‘civilized’ man
into the heart of a country of the so-called
savages. Mr. Kurtz, who has allegedly
"civilized" the natives and brought
them education, is enshrined by the
Belgians as a being of supreme intellectual
power and the principal representative
of the forces of civilization in the
Congo. But in the course of time, he
has begun to demand worship from the
natives while he instigates and partakes
in unspeakably savage rites. By seeing
this change of Kurtz, Marlow recognizes
the decay and corruption of colonial
imperialists. He sees how corruptible
even the civilized man is. His ideals
irrevocably corrupted, Kurtz's soul
– not Africa – is the true heart of
darkness. In other words, Charlie Marlow's
voyage into the depths of the "Dark
Continent" parallels his voyage into
the heart of an immense darkness, into
the collective unconsciousness of the
human race. The voyage for learning
about the exotic lands and the dangerous
savages becomes a descent into an underworld
of the universal savagery of all human
beings.
- But
as you do so, you should give sufficient
(though not elaborate) evidence for
your claim. That is, say on what ground
you are making your claim, or on what
ground you will prove it. Also indicate
your focus and delimitation.
Conrad
universalizes the nature and process
of corruption of Kurtz, and the way
he makes Marlowe’s quest symbolize the
archetypal human quest that ends in
self-knowledge. Conrad uses a variety
of techniques to imbue his narrative,
like a parable, with a quality of universality.
The technique of the narrative frame,
while looking like the medieval tale-telling
strategy, allows the narrator to be
a distant observer of events he had
witnessed. And because the tale is related
by an anonymous narrator who identifies
so strongly with Marlow, the two characters’
identities merge. Conrad's highly charged
and sometimes poetic language, clearly
hints at the effect of exterior setting
upon the interior landscape of the soul.
His journey symbolizes every human being’s
quest for knowledge, and therefore,
he comes to. Similarly, as Marlowe gradually
comes to take Kurtz more seriously –
as representing all corruptible human
beings – we see that the story is not
a superficial indictment of the western
man. Marlowe accepts that everyone of
us are bound to accept the veil of Maya,
the garb of social manner, and some
mendacity, in order to sustain what
we call civilization.
- If
you think you have some relevant issues
that you have not yet understood,
you may ask them in your statement
of problem. But the question(s) should
not suggest that you are simply puzzled
about the problem. You should indicate
that you have a significant problem,
which you have not yet fully explore.
But, in order to understand the issue/
problem, you should also arrive at
the answer(s) of one or more question.
In fact, after asking the question(s),
if any, you may suggest what you think
the case is and how you think you
should look at it.
Why
does Conrad charge the voyage with several
symbolic meanings? Why is Marlowe made
to eventually sympathize with Kurtz?
The present will justify that Marlowe
understands and sympathizes with the
savage inside man because he finally
understands and accepts the indomitable
animal force in men, including the civilized
ones.
- You
may even state your objective here,
because there is no separate “Purpose
of the Study” or “Aim of the Study”
section.
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