|
Sophocles was born in Colonus
near Athens and grew up in the
most brilliant intellectual
period of Athens. The son of
a wealthy merchant, he would
enjoy all the comforts of a
thriving Greek empire. He studied
all of the arts. By the age
of sixteen, he was already known
for his beauty and grace and
was chosen to lead a choir of
boys at a celebration of the
victory of Salamis. Twelve years
later, his studies complete,
he was ready to compete in the
City Dionysia-a festival held
every year at the Theatre of
Dionysus in which new plays
were presented.
|
|
|
In his first competition,
Sophocles took first
prize-defeating none
other than Aeschylus
himself. More than 120
plays were to follow.
He would go on to win
eighteen first prizes,
and he would never fail
to take at least second.
An accomplished actor,
Sophocles performed
in many of his own plays.
In the Nausicaa
or The Women Washing
Clothes, he performed
a juggling act that
so fascinated his audience
it was the talk of Athens
for many years. However,
the young athenian's
voice was comparatively
weak, and eventually
he would give up his
acting career to pursue
other ventures. |
In addition to his theatrical
duties, Sophocles served for
many years as an ordained priest
in the service of two local
heroes-Alcon and Asclepius,
the god of medicine. He also
served on the Board of Generals,
a committee that administered
civil and military affairs in
Athens, and for a time he was
director of the Treasury, controlling
the funds of the association
of states known as the Delian
Confederacy.
One
of the great innovators of the
theatre, he was the first to
add a third actor. He also abolished
the trilogic form. Aeschylus,
for example, had used three
tragedies to tell a single story.
Sophocles chose to make each
tragedy a complete entity in
itself--as a result, he had
to pack all of his action into
the shorter form, and this clearly
offered greater dramatic possibilities.
Many authorities also credit
him with the invention of scene-painting
and periaktoi or painted prisms.
Of Sophocles' more than 120
plays, only seven have survived
in their entirety. Of these,
Oedipus
the King is generally
considered his greatest work.
This tragedy of fate explores
the depths of modern psycho-analysis
as Oedipus unwittingly kills
his father and marries his mother
in an attempt to avoid the very
prophecy he ultimately fulfills.
A masterful work of plot and
suspense, Oedipus
the King is often heralded
as a "perfectly structured"
play. And although Oedipus cannot
escape his fate, he finally
finds peace in the sequal,
Oedipus at Colonus, after
enduring the worst the fates
had to offer.
Another
masterpiece, Antigone,
possibly the first of the surviving
plays to have been written,
is the story of a passionate
young woman who refuses to submit
to earthly authority when it
forbids a proper burial for
her brother Polyneices. Illustrating
the rival claims of the state
and the individual conscience,
Antigone is an excellent example
for the modern social dramatist.
In
The Women of Trachis,
Sophocles presents another well-rounded
female character-Deianira, the
wife of Heracles. Although the
focus of the play is oddly split
between Deianira and Heracles
himself, this drama does offer
a powerful and touching study
of a jealous woman. His greatest
character drama, however, is
probably Electra. When
Aeschylus treated this story,
he was concerned primarily with
the ethical issues of the blood
feud. Sophocles dismisses the
ethical question and adresses
himself to the problem of character.
What kind of woman was Electra
that she would want so desperately
to murder her own mother? Shortly
after the production of Oedipus
at Colonus in 405, Sophocles
passed away. He joined Aeschylus
who had long since gone to his
grave and Euripides
who had passed on a few months
earlier. Thus the first great
age of tragedy came to an end. |