Sonnet
The
sonnet is a poem in fourteen lines.
Sonnets were originally love-poems addressed
to an imaginary beloved by a poet. They
are in two parts: the first part introduces
and develops the argument, and the second
part makes a conclusion, proposal or
comment. They were originally written
by using a particular kind of diction
and metaphors for appreciating and courting
a lady. Still followed and adapted for
writing poems in many kinds of subjects
themes, the sonnet has been one of the
most common ‘forms’ in which poets have
written their poems. The sonnet was
originally a verse form developed by
an Italian poet named Patriarch in the
14th century. The English poets imitated
it and Shakespeare later adapted it
heavily in its subject and theme, its
form, and in the devices of word-game,
too. Now we have the English or Shakespearean
form, besides the original Italian or
Petrarchan form of the sonnet.
(i) Petrarchan/ original Italian
Sonnet
The Petrarchan sonnet was a very strict
and almost rigid form. Petrarch wrote
a series of love poems about an imaginary
lady, in a fixed meter and rhyming scheme
(abbaabba; cdecde). His metaphors were
also of a limited kind. The first eight
lines stanza (octave) was dedicated
for the appreciation of the lady in
almost set terms. After this formal
recounting of "said beauties" – or sometimes
the story of suffering of the speaker
– the speaker goes on to propose and
appeal to the lady to accept his long
refused love.
Many English poets did write sonnets
in its original classical form. But
the most popular English sonneteer,
William Shakespeare, changed and adapted
(all three important elements of poetry
in it) to the convenience of the English
language and rhythm.
(ii)
The English Sonnet or Shakespearean Sonnet
Shakespeare changed the rhyming scheme
to abab; cdcd; efef; gg. He used the
iambic pentameter. He used 3 quatrains
and a couplet. The concluding couplet
is usually an unusual twist given to
the argument of the body of the argument
in three quatrains. So, the Shakespearean
sonnet can also be divided into two
parts: statement-cum-argument, and conclusion.
In the Shakespearean sonnet, the three
quatrains and the couplet form separate
units of rhyme, thought and grammar.
Each quatrain carries a single unit
of thought, and each is a separate sentence
grammatically. A full stop at the end
of each quatrain and the couplet makes
them grammatically and logically complete.
The first three quatrains rhyme alternately
while the couplet has regular rhymes.
Most of the new form of sonnets that
Shakespeare wrote usually present an
anti-Petrarchan view of love. In one
of his most popular sonnets "My Mistress's
Eyes...", being tired of the hackneyed
images and symbols of the Petrarchan
sonnet, Shakespeare develops a description
of his beloved in a surprisingly different
way. Shakespeare also deals with love
in relation to art, philosophy and human
relationship.
Allegory:
Allegory is a parallel story. If a single
word or expression has an abstract and
general meaning, it is called a symbol;
but if the whole ‘story’ of a drama,
story or poem has a symbolic meaning
throughout, it is called an allegory.
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Alliteration:
Alliteration is the repetition of consonant
sounds. The repeated consonants normally
occur at the beginning of words or in
stressed syllables.
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Allusion:
An allusion in a literary text is a
reference to a personal place or event
or to another literary work or passage.
It does not have clear identification,
that is, it does not tell directly what
it stands for.
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Animation:
Animation is giving life to non-living
objects. If a poet treats a lifeless
concrete thing as having life, awareness,
will-power, thought, emotion, etc, that
is called animation. For example, if
a poet says, "The moon is ‘smiling’
at me", he animates the moon.
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Ballad:originally
a kind of folk song; also sung with
music; now recorded in writing, and
also regarded as literature/ poetry.
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Blank
verse:
Blank verse refers to the poetic lines
that use iambic pentameter without rhyming.
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Classical
Poetry:The
classical or neo-classical poets of
the eighteenth century had had made
poetry more social than personal, more
intellectual than emotional and imaginative,
more rule-based than spontaneous.
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Conceit:
The conceit is a striking metaphor.
It is so original and unconventional
that it not only strikes the reader
into attention, but sometimes shocks
them, being even objectionable or absurd
at first. Read
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Elegy:
The elegy was originally the form of
poetry on the subject of sadness, especially
‘complaints about love’.
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Epic:
One the oldest of the poetic forms,
the epic is a long narrative poem, majestic
both in theme and style, dealing with
legendary or historical events of national
or universal significance, involving
action of broad sweep and grandeur.
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Irony:
Irony is an indirect way of criticizing
things, and it can be done in several
ways. The word ‘Irony’ comes from its
Greek root ‘Eiron’, a dramatic character
who spoke in ‘understatement’, pretending
to be less intelligent.
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