David H. Lawrence (1885-1930)
In the evening there are two persons sitting in the room: a man and a woman. The woman is a pianist and singer. The man is the poet himself. The woman is playing on the piano and singing at the same time. Her song takes the poet back to his early childhood. He supposes that he is a very small baby sitting under the piano.
His mother is singing and he is pressing her feet. But she does not feel disturbed by her son’s behavior. She smiles at him and goes on playing. The poet knows that it is his romantic past. He wants to live in the present facing the reality. But the woman is very clever at singing. Her song is so sweet and her playing is so skillful. The poet wants to control himself, but he cannot. This time he goes back to his boyhood. He supposes that he is in his warm and comfortable room. It is very cold outside. It is Sunday evening (holy day). All his family members are there. They are singing hymns. The piano is guiding them.
Now the song has done its task, that is, to take the poet back to the happy past. He does not like to listen to the music. He wants to become lost in his happy memory. He likes to forget the present completely. Therefore, he feels that the woman’s song is the shout. Her music is no longer sweet. It is useless for her to play the piano with deep feelings. He is very happy with his childhood memories. Now he does not like to become a man. He throws his manhood and begins to cry like a child.